Hard-hitting, uncompromising hardcore featuring verses by Lex Starwind and Jon Murdock, with Dynamic G on the chorus. The track is part of the 2011 release “Tower Of Babel” by The Lost Children of Babylon.
linksThe song is a classic example of the conspiratorial anti-globalist rap genre, centering on a complete distrust of official political structures, shadow elites, and global conspiracies, executed with profound religious and spiritual undertones, where political struggle is portrayed as a metaphysical warfare between good and evil.
linksHardcore political and social track about war, the corruption of the music industry, and the harsh reality of the streets. The artists use the metaphor of war to depict the struggle for survival in modern society and resistance against the system.
The rappers condemn show business for exploiting artists, as well as the falsity and greed of corporations that profit off of musicians’ creativity. The lyrics touch upon themes of inequality, the hypocritical politics of those in power, and the dangers of blindly submitting to propaganda.
The track was featured on Diabolic’s debut studio album “Liar & A Thief”.
linksOne of the best tracks by the Canadian underground horrorcore group Psych Ward, featuring masterful production by French producer Al’Tarba.
linksThe track featuring the legendary member of Cypress Hill can be described as a socio-political protest and a demonstration of the average lower-class American mentality. The artists condemn government corruption, foreign policy, police brutality, and the infringement on civil liberties. Instead of an idealized “American Dream”, they expose the underbelly — poverty, drug trafficking, crime, and survival in the ghetto.
linksThe track focuses on the horrors of war, the cruelty of imperialism, state terror, and government-sanctioned violence. Instead of portraying war as something heroic, it depicts it as a devastating meat grinder orchestrated by politicians and elites, while ordinary people pay the ultimate price.
Immortal Technique enriches the track with a relentless political critique of colonialism, war crimes, and corruption, while the heavy guitar riffs by Max Cavalera (former frontman of Sepultura) accentuate the song’s brutal, apocalyptic, and rebellious atmosphere.
links