Promo & Video

Slaine questions how the thirst for control and the despotic actions of rulers affect the world. The text raises issues of fear, oppression, and the conflicts and cruelty that human civilization has endured.

At its core, this track (produced by Art Aknid) is all about how time, rough life circumstances, and the harsh reality of the streets inevitably change people — and usually for the worse. The artists really dive into this idea of “metamorphosis”, which to them means losing your core values, your ideals, and your way in life.

They also touch on a massive, global crisis, pointing out that humanity has basically passed the point of no return. The world is just a chaotic mess right now, both on a micro and on a macro level.

It leaves them feeling like total outsiders in a world that’s changed so much, where the line between good and bad is completely blurred.

The track, delivered in a dark, raw style, captures the atmosphere of the British underground while exploring themes of esotericism, conspiracy theories, the exposure of secret societies, and spiritual awakening. The collective’s name itself is a direct reference to synchromysticism — the search for mystical coincidences and hidden meanings within everyday life and mass culture.

The image of the tyrant serves as a metaphor for total control, harsh systemic pressure, or severe life circumstances. The verses are dominated by motifs of mental resilience, as well as a confrontation with the external oppression of society’s ‘iron fist’.

The video is basically a critique of modern society, the hypocritical justice system, and the value of independent thinking. The main point here is that in a world where everything is bought and sold, critical thinking, honesty, and thinking for yourself become a “crime” that doesn’t fit the system.

The track is dedicated to the harsh criticism of the police, protesting against systemic violence and the abuse of power by law enforcement agencies. The title references the famous slogan “All Cops Are Bastards.” The song expresses distrust toward law enforcement, condemning their brutality and biased attitude toward ordinary people.

The song from Jubi’s (Assos de Dingos) album “Comportement Instable”

“Belly Of The Beast” is a grimy, raw gem of underground hip-hop. The track perfectly captures the dark, suffocating reality of surviving in a hostile environment. With intense storytelling, powerful delivery, and a haunting beat, Aslan vividly portrays the struggle against inner demons and a broken system.

The track “World’s End” by Warporn Industries (a group featuring Everlast, Sick Jacken and Divine Styler) is a dark and apocalyptic reflection on the destruction of the modern world, violence, war, and spiritual crisis.

Much like their entire self-titled 2017 project, the song criticizes the romanticization of violence and today’s reality, where death and military conflicts are broadcasted as entertainment or media products. The composition sounds like a bleak prophecy and a call to face the impending collapse of civilization.

A composition from the album “Emanations” is dedicated to inner struggle, existential crisis, and the search for meaning amidst chaos. In the lyrics, the motif of moving alone along the metaphorical “road of life”, which is full of forks and obstacles, is clearly traced.